Rapid Response Recipients

Seed funding has thus far gone to:

  • Stuart Pimsler Dance & Theatre, for teaching at the Guangdong Modern Dance Festival in Beijing, China;
  • Kimberly Bartosik/daela, for a performance at Recontres Choreographiques Internationales de Seine-Saint-Denis in Paris, France;
  • Scott Wells, for teaching and performance at the Warsaw International Festival in Warsaw, Poland;
  • George Staib/Staibdance, for a choreographic residency in Stockholm, Sweden;
  • Janis Brenner, for teaching at the Skopje Dance Academy in Skopje, Macedonia;
  • Heidi Duckler, to jumpstart a collaboration with a music group in Brisbane, Australia;
  • Doug Varone, support for an advance audience engagement trip in Budapest, Hungary;
  • Lindsey Renee Derry/linsdans, for three consecutive residencies in Greece and a performance at the Metabolism Festival in Berlin, Germany;
  • Joan La Barbara and Nai Ni Chen, for teaching at the Beijing Modern Dance Festival and Guangdong Modern Dance Company (and to jumpstart a future collaboration), China;
  • Pavel Zustiak/Palissimo, for a performance at the KIOSK 2014 Festival of New Dance and Theatre in the Slovak Republic;
  • Christine Bonansea, for a performance and workshop at DOCK11 in Berlin, Germany;
  • LeeSaar, for a performance and teaching workshop at ChangMu International Dance Festival 2014 in Seoul, Korea;
  • Julian Barnett, for performances at the tanz_house and DanceKiosk Festivals, Salzburg, Austria and Hamburg, Germany;
  • ArtBark International/The Future Traditions Foundation for a performance at Cankarjev Dom in Ljubljana, Slovenia;
  • BodyCartography, for a performance at Performance at International Performing Arts Festival WarVie in Warsaw, Poland;
  • Alexey Taran/Bistoury Physical Theatre, for a choreographic dance/film residency through Lake Studios Berlin and Dance-Tech Projects, Berlin, Germany;
  • Cleo Parker Robinson Dance Ensemble, for a performance in Guadalajara, Mexico;
  • Amy Campion/Antics, for a residency at the Sacatar Foundation, Sacatar, Brazil;
  • Donna Uchizono, for a performance and residency at DanceHouse in Melbourne, Australia;
  • Miguel Gutierrez, for a performance at the Festival d’Automne in Paris, France;
  • Yung-Li Chen, for a performance at the Assembly Dance Theatre, Taipei, Taiwan;
  • Donna Uchizono, for a performance at Dancehouse in Melbourne, Australia;
  • InkBoat, for a performance at SIDance in Seoul, South Korea;
  • Eiko Otake, for a performance at Festival Santiago a Mil, Santiago, Chile;
  • Yanira Castro/a canary torsi, for a performance and residency at Dancehouse in Melbourne, Australia;
  • Diavolo, for a performance at Stadttheater Fürth, in Fürth, Germany;
  • fidget/Megan Bridge, for housing support for a performance at the internationale tanzmesse nrw 2016 in Düsseldorf, Germany;
  • Stephen Petronio Company, for a performance at Bratislava im Movement Festival in Bratislava, Slovakia, as part of a tour through Eastern Europe;
  • 10 Hairy Legs, for a performance at Cape Town International Dance Festival in Cape Town, South Africa;
  • Chris Rudd/RudduR Dance, for a performance and residency at the Ouagadougou International Dance Festival (FIDO) in Burkina Faso, West Africa;
  • Zoe Rabinowitz/Yaa Samar! Dance Theatre, for a performance at Ramallah Contemporary Dance Festival/Ramallah Cultural Palace in Palestine;
  • Bridgman|Packer Dance for a performance at New Baltic Dance Festival in Vilinius, Lithuania;
  • Dallas Black Dance Theatre, for a performance at 10th Theatre and Dance International Festival Antifaz / FINTDAZ 2017 in Antifaz, Chile;
  • PEARSONWIDRIG DANCETHEATRE, for a performance residency at Folkwang Tanz Studio/Extra Schicht Festival in Essen, Germany;
  • Sara Juli, for a performance at Edinburgh Fringe Festival in Scotland;
  • iMEE, for a performance at FIDCDMX in Mexico City;
  • Jonah Bokaer, for a performance at Dance Days Chania in Greece;
  • Dance Theatre of Harlem, for performances in Lithuania, Poland, and Hungary;
  • Schoen Movement Company, for  teaching, a creation residency, and a performance at L’association Hayyou’Raqs / Tawassel in Tunisia.

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